So, we’ve established that no one’s interested in my pottery. Tough crowd, but I’ve been spending nearly all of my time in the studio lately, so that’s all I’ve got. How about a story about my pottery and Al Pacino, then?
Gallery Show this week. Here’s my stuff. Those of my readers who follow the amateur pottery scene will note that the bulk of my work does not conform to the preferences of the consumer, who will pay good money for a turd dipped in blue glaze after rejecting every other colour of bowl, mug, vase, or plate, regardless of how skillfully made and well priced. I’m not kidding; every single one of my pieces that sold in the past two days was blue.
Someone bought the fifth piece I made, ever. It was crap, but it was blue. Don Davis, author of one of my pottery bibles, once remarked that potters tend to focus on form, while non-potters pay closer attention to the surface of a pot. This certainly holds true in my experience, and it’s a shame, because glazing is my weak suit, and it shows. Throwing is my strength and my passion, but only other potters seem to recognize that.
But, Al Pacino. Sales were slow at the gallery yesterday morning, and the other studio member who was manning the tables with me decided to duck out for a few minutes to promote our show. A few minutes turned into half and hour, and when K returned, she explained that she had had trouble getting across campus, what with the movie being filmed around the science building (*), and what with every student and their dog trying to get a piece of the star, Al Pacino, who was six feet from her, and her without her camera!
I had my camera. K dispatched me to the scene, and I had no trouble finding it. Or, as it turns out, walking into it: I soon found myself six feet from Al Pacino while a handful of security guards idly looked on, but I convinced myself that it wasn’t actually him, because wouldn’t the security guards have held me back? As I turned a corner, a stagehand called out to me, “Hey! Get back! Only extras are allowed in here!”
“I’m an extra,” I lied, because, why not? I had nothing better to do yesterday than be in a movie.
The stagehand didn’t buy it. “No, you’re not,” he proclaimed with such conviction that I couldn’t help but feel hurt. What gave it away? I surveyed the actual extras across from me as I tried to assess what separated me so obviously from them. Was it my glasses? My aspherical breasts? My underwear-covering jeans?
The stagehand was forthcoming: “Our extras are not covered in dirt,” he sneered.
“Clay,” I corrected, self-consciously fingering the dried bits of slip in my hair. Nevertheless: point well taken.
I apologized for walking onto the scene, and explained that the security guards on the set had seen me and hadn’t tried to stop me, so I had assumed that the filming was taking place elsewhere. The stagehand sighed heavily. “Those are not security guards,” he explained slowly, “Those are actors playing security guards.”
I excused myself from the set. Off to the side, two female students were chatting up another assistant. The topic of conversation was something along the lines of Al Pacino is here? Like, right here? Can we see him? Can we get his autograph? I injected myself into the discussion long enough to ask what the movie was called, because on the off-chance that its editors suck, then they’ll leave in the scene that was filmed when I accidentally wandered onto the set. Look for the clay-covered girl, appearing soon in a theatre near you!
“It’s called 88 Minutes,” replied the assistant. “It’s about a guy who has 88 minutes to find three people .”
“What three people?” asked one of the girls.
And at this, the assistant gave a lopsided grin, and said, “If it were up to me”- here he pointed – “it would be you, you,” – eyes settling on me, and a huge wink – “and you.”
A few hours later, when I’d gotten myself to a computer, I looked for some more information about 88 minutes. Here’s a plot summary:
[88 Minutes is a] thriller about a college professor who, while moonlighting as a forensic psychiatrist for the FBI, receives a death threat telling him that he has only 88 minutes to live. In narrowing down possible suspects, he frantically seeks to communicate with a problem student, an ex-girlfriend, and a serial killer on death row. (**)
Which makes “and you” a contender for the worst pick-up line ever. Regardless, I have been really low on bloggable material lately, so I giggled and smiled back at the assistant, and handed him a promotional postcard for the gallery show. “You’ll have a lot longer than eighty-eight minutes to find us,” I said, and winked back at him.
I spent this morning in the studio attaching handles to mugs, and just after lunch I wandered up to our display to see how sales were going. “You sold some stuff,” the studio secretary informed me. “Some guy came in and asked for you specifically. He didn’t know your name, just told me what you looked like. It was weird. I told him where your stuff was.”
“Dude in his thirties or so, tanned, light brown hair?” I asked.
“Yeah,” replied the secretary.
Son of a gun. “Did he buy anything?” I asked, incredulous.
He did. He bought a mug.
It was blue.
(*) There have been many movies filmed on campus. The one that I remember best was this dreck, which is hands-down the worst movie I have ever seen in my life. I watched it only because I had heard that part of it was filmed in the very classroom where I had taught a first-year calculus class. The movie opened with a scene featuring high school students in that classroom writing their SATs, an acronym that the narrator informed us stood for “the Suck-Ass Tests”, and if you still think that this looks to be quality cinema after reading that, then you are not welcome here anymore.
(**) Does anyone else find it amusing that the problem student is apparently just as likely a suspect as the serial killer?